Opera Chic

BREAKING: Director William Friedkin Pulls Out of La Scala's "Inconvenient Truth" Opera

Corriere della Sera is reporting today that director William Friedkin pulled out of his commitment to direct that Scala production of the opera inspired by Al Gore's "An Inconvenient Truth", music by Giorgio Battistelli, libretto by J.D. McClatchy that will premiere on May 2011 (150th anniversary of Italy's independence).

Apparently, Friedkin has had problems with the libretto:

"I withdrew for artistic reasons, irreconcilable differences with McClatchy's libretto. This past September I received the libretto and I immediately called la Scala's Gaston Fournier (Artistic Consultant to Scala GM Stephane Lissner -- ed.) to state my negative reaction. I also did that with McClatchy and, via email, with Battistelli. Battistelli hoped to 'fix' somehow the libretto but I told him no, I couldn't work on [J.D. McClatchy] Sandy's libretto".

In October, Friedkin's agent, let it be known to la Scala that "under no condition whatsoever the director will accept to work on that libretto".

Friedkin again:

"Battistelli and Fournier then informed me that they felt they could indeed work on that libretto; professional differences were evident, so I decided to state again, in November, via my agent, that I have indeed withdrawn from this production for 'irreconcilable differences'".

Maybe Terry Gilliam, who pulled out of last year's Andrea Chenier -- later cancelled -- can take a crack at this apparently unworkable libretto? That'd be cool. Or maybe David Lynch?

O Mio Woodyno Caro: Woody Allen Does Gianni Schicchi, LA Audience Says Yeah

Last night the Woody Allen-directed third of Il Trittico (Il Tabarro and Suor Angelica were directed by William Friedkin) has finally reared its Italian head at Los Angeles Opera and the audience seems to have appreciated the Woodman's first (and probably last, if his recent interviews are any indication) effort in opera direction.

Allen asked Santo Loquasto to design sets that were a cheerful hommage to Italian film comedy of the 1950s and 1960s, all Pietro Germi and Vittorio de Sica influenced, with Florence transformed into Naples or Palermo in a caricature of the old Italian South (Buoso Donati's testament is hidden in a big pot of spaghetti), black clad crying women and sexy Lauretta in a black sottoveste (all the better to flatter Laura Tatulescu's b00bylicious shape) and a Rinuccio explicitly inspired by (Allen's own directions to tenor Samir Pirgu) Marcello Mastroianni's delicious sprezzatura. Is it Puccini? We don't know. But it does sound funny.

Turning Puccini's comedy of errors in a gleeful sendup of old Italian comedies and mafia films is so Woody it isn't even funny (well, it is, of course): too bad Woodino himself didn't show up on stage at the end with the cast and conductor James Conlon to reap the applause (but then, fear of being booed is a very human sentiment, especially if your medium is cinema -- even if once upon a time Allen himself was a standup comedian).

After all, when you think about it, making Gianni a mafioso and playing it all for laughs with old skool movie credits rolling on a screen before the opera begins, and in the end  Woody even tinkers with the libretto so that Gianni's cousin returns to the stage and stabs him, works in a cute "here's my hommage to all the old Italian stuff I've learned to love as a child at the movies" -- it is quite endearing. It's like Radio Days at the opera, with Italians replacing Jews. It's a good idea. Goodness knows professional opera directors -- not self-admitted dilettanti such as Woody -- have worked on shakier, much dumber premises.

Friend of Opera Chic Tim Mangan from the OC Register came, saw and LOL'd:

Allen has turned "Schicchi" into a crisp screwball comedy.

On the other hand, the always indispensable Variety informs us that Thomas Allen is not a relative of Woody's.

Thanks for clearing that up!

"You know, funny to opera people is not funny to the Marx Brothers": Woody Allen Rehearses Gianni Schicchi In L.A.

On the other hand, characters who covet their adoptive daughters are just fine by opera standards -- nothing particularly wrong about that (only it's Strauss, not Puccini, Woody):

He said, “What if we do the Puccini trilogy — it’s three one-acts that are always done together? The first two, Billy Friedkin will direct. You’ll only be responsible for a one-act, a one-hour opera, and it’s funny.” You know, funny to opera people is not funny to the Marx Brothers. But I agreed to do it, because Mark Stern is a friend of mine and Plácido Domingo is someone who I have enormous respect for, and they both assured me I would be able to do it. And I said I would years ago, because these things are planned years in advance. I figured, “Eh, I’ll be dead before it happens. I’m 72. I’m never going to make it to the opera.” But it came around, and next Monday, I start rehearsal. I’ll just do the best I can and then get out of town and let them tar and feather Friedkin.

Tar, feathers, and don't forget the pea soup.

THIS JUST IN: "Exorcist" Director William Friedkin To Direct Al Gore Opera @ La Scala, Sets By Cirque Du Soleil's Mark Fisher, Libretto By J.D. McClatchy

Teatro alla Scala introduced earlier today to the public in a press event the first glimpse into the Al Gore opera that will appear in 2011 at the Milanese opera house: William Friedkin, film (French Connection, The Exorcist) and (sometime) opera director (Salome, Wozzeck), will stage the “An Inconvenient Truth” opera @ La Scala from Al Gore's bestselling book and Oscar-winning film. Music by Giorgio Battistelli, libretto by J.D. McClatchy, who already wrote the libretto for Lorin Maazel's 1984.

[insert Exorcist joke here ]

PS The sets will be created by Cirque du Soleil's Mark Fisher.