Earlier tonight in Paris, at Opera Bastille, where Natalie Dessay was supposed to be singing "Sonnambula", a woman came on stage shortly before showtime and informed the public that La Nata was unwell, but that she'd sing anyway. The first Act was, apparently, OK, even if one could tell that Dessay was not in top shape, but just before Act 2, the woman came out again and said that Dessay could not go on singing, and they just canceled the rest of the show.
Members of the audience were of course shocked that they had no understudy to cover for her -- vive la difference!
(thanks to C.)
~**UPDATE February 19, 2010, 2:55 PM Milan Time**~
Opera Chic's gorgeously Parisian, Dessay-loving friends called Opéra Bastille this morning to inquire about ticket policy, and were told that there would be no refunds or exchanges made to any tickets of last night's La Sonnambula. House policy states that when half of the show is performed, they are under no obligation to compensate their patrons.
~**UPDATE February 19, 2010, 8:45 PM Milan Time**~
Thanks to reader Xalira -- the folks over at the Opéra have listened to the people, and now they're at least giving out discounts to the unlucky ticket holders of the Sonnambula Interrupta.
WOW!
Posted by: Bec | February 19, 2010 at 04:07 AM
Wondering if Cheryl Studer is available to replace the pixie.
Posted by: Marshie | February 19, 2010 at 04:25 AM
Not to have a standee for the lead singer is operatic malpractice. It does not speak well for the artistic management of a world-class opera house. This will never happen at the Met, ROH, or La Scala.
Posted by: Constantine A. Papas | February 19, 2010 at 05:43 AM
Whatever happened to "the show must go on?"
Posted by: IsingOpera | February 19, 2010 at 06:12 AM
Really? Did this really happen? I'm laughing at how inept all of this is. Do you think Natalie demanded this as part of her contract or something? Because none of this makes any sense at all!
Posted by: Dearly | February 19, 2010 at 09:40 AM
I hope she's ok. I don't know her whole story, but didn't she have to have vocal surgery not long ago? What was the cause of that?
Posted by: Mabel | February 19, 2010 at 10:19 AM
:(
Posted by: Amanda White | February 19, 2010 at 10:48 AM
Wow. They should have had an understudy prepared. It's too sloppy for such an opera house. Especially that they KNEW she was not feeling well, it was not like she 'fell on the stage and broke her leg' (like DiDonato at ROH - and she did sing even like that!).
Hope Natalie gets well soon, I am waiting impatiently for her Ofelia in Thomas' Hamlet @the Met.
Posted by: Azucena | February 19, 2010 at 11:59 AM
poor elf lady-hope she feels better for the met hamlet-she pulled a Callas;)
Posted by: bekah | February 19, 2010 at 01:32 PM
It's amazing how copycat sites are picking this up 12 hours after you posted it, OC...
Posted by: Elisabetta | February 19, 2010 at 02:47 PM
Opera has become nothing but a comedy of errors!
Posted by: nick | February 19, 2010 at 03:48 PM
Sadly many theatres have this no-refunds-after-half-the-show-is-over policy. It would really be more fair to cancel the whole performance.
Posted by: yappy | February 19, 2010 at 03:54 PM
Maybe Natalie somehow sabotaged her cover? THE PLOT THICKENS!
Posted by: Rumbol | February 19, 2010 at 04:08 PM
No refund? It's crazy!
Posted by: Paolo M. | February 19, 2010 at 04:12 PM
Elisabetta, predictable is as predictable does.
Posted by: FallStaff | February 19, 2010 at 04:16 PM
Whatever you many think of Natalie as a singer, I can assure you that she did not either sabotage a cover nor make a demand that she have no cover. It is common in European houses not to have a cover because a substitute can generally be found in time to go on IF NOTIFIED due to the relatively short distances between European houses. (This is not the case in the US because of the sheer size of the country or the amount of time needed to travel from overseas. This does not apply in the case of Waltraud Meier, however. ;-))
The onus seems to fall on Opera Bastille who knew that Ms. Dessay was day-to-day and should have had someone standing by.
I have a bias in this because my neighbor's daughter, Mara Blumenfeld, costumed Natalie for "Lucia" and "Sonnambula" at the Met. Mara does not suffer fools gladly (she is a top-flight costume designer who has worked at the top regional theatre houses in the US and at the Donmar Warehouse in London) and she loves Natalie. No prima donna antics whatsoever. Did not make overbearing demands but worked with Mara in making sure the fit of the costumes were congenial with the requirements of an opera singer.
Posted by: Linda Ginsburg | February 19, 2010 at 06:11 PM
Incredible! I knew she wasn't feeling well, but not having an understudy is so unprofessional!
OC, if you want to update the post: they are now offering free or reduced entry to some operas and concerts, see more on http://www.operadeparis.fr/cns11/live/onp/annexes/info_somnambule.php
Posted by: Xalira | February 19, 2010 at 07:53 PM
There was a documentary series a few years ago called "The House" about Covent Garden, and I was shocked to see that they did a lot of operas with no covers for the leading roles. They got into the predictable trouble.
Posted by: RobNYNY1957 | February 19, 2010 at 08:57 PM
This is very sad. I saw Dessay sing this part at the Met, and it was one of the most transcendent experiences I've had at the opera. They should have cancelled if she wasn't well and they didn't have an understudy.
Posted by: KZ in New York | February 21, 2010 at 12:41 AM
Is it that easy to find an understudy who can do Sonnambula? It seems to me that if a soprano can sing Sonnambula, she shouldn't be an understudy. It's a dilemma. Think backl to Rome in 1958, when Callas chopped off a Norma after the first act. Again no understudy - and for good reason. Any soprano who can sing Norma ain't no understudy. Ditto in Milan in 1982 when Caballe' cancelled Anna Bolena -- chaos resulted.
In a way, it's kind of funny, and as a previous poster stated, it can be a comedy of errors. I wouldn't be the least bit surprised at the fact that many companies don't have understudies. I mean --- who can understudy roles of this magnitude?
Posted by: Les Mitchell | February 21, 2010 at 05:50 AM
They've hired a replacement for the next two performances.
Posted by: so... | February 21, 2010 at 05:51 PM
Shame on Paris opera,If i was a season ticket holder would certainly not renew for next season if thats there policy.When Dessay was sick and couldnt continue manon in barcelona,the cover took over for the last act..I know in most theatres that if the singer does half the opera they get paid but for the public having to pay is scandalous,and they wonder why opera is losing audiences.gl
Posted by: Graham Lister | March 03, 2010 at 02:38 AM
What has happened to her? She cancelled at the Met not long ago too. She used to pair with Florez often; recently not at all. I wonder if her voice is in trouble? Anybody know?
Posted by: Chris | June 19, 2011 at 09:55 PM